Art For Art’s Sake #363 – 22 Panels & 1 Artist That Always Worked – Wally Wood
by Richard Bruton
When all else fails, there’s always great comic art. That ain’t running out any time quite yet. Case in point, Art For Art’s Sake …
We’re opening and closing this one on Wally Wood, one of the true legends of comics, beginning with this, his brilliant 22 panels that always work, his set of beautifully done, perfectly crafted panels.
The tale is that Wood, when he quit MAD Magazine, where he was the superstar and getting $200 per page for his art, and headed to Marvel in 1964 where the page rate was $20 for pencils and $15 to ink, it was a bit of a rate drop, even though Marvel paid him the princely sum of $45 for pencils and inks as a nod to his legendary status.
So, the always efficient Wood developed cheat sheets for his assistants, distilling the essence of all he knew, to get the work done faster and faster. These eventually, through tinkering and gathering them together, came together as the 22 panels that always work. The form most of us have seen them in (below) comes from one of his former assistants, Larry Hama, who, in his editorship days at Marvel, collected them together as a guide to give advice to newer artists.
And it works. Of course it works, it’s Wally Wood.
For more on the 22 Panels, see this fascinating piece on Wayback from Joel Johnson, who owns the original paste-up of the art.
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And the not-so-helpful version from James Turner…
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Amy Reeder Hadley — Supergirl and Krypto
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Colin MacNeil — Robusters
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Dan Hipp — ‘Mr Knights’
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Michael Cho
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Phil Noto — Psylocke
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Strikeforce Morituri house ad — Brent Anderson/Scott Williams
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Will Eisner — The Spirit
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Joe Kubert — Ragman
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Adventureman — Terry & Rachel Dodson
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Chris Bachelo
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Kevin Nowlan
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Steve McNiven
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And we’ll end as we began this week, with a little bit of masterful art from Wally Wood, one of the all-time greats …













