Review: ‘Frontiersman Lock-Up Special’ Has A Debatable Back-Up
Writer Patrick Kindlon greatly expands the trouble the main character faces after the events of the main series. Kindlon also
Read moreWriter Patrick Kindlon greatly expands the trouble the main character faces after the events of the main series. Kindlon also
Read moreThe design of cover A by artist John Jennings resembles that of ancient cave paintings. Though it still has modern sensibilities
Read moreWriters Sam Maggs, David Mariotte, and Nick Marino all create competent scripts. However, they all feel like they are alternate
Read moreWriter Erik Burnham creates a script that is mostly good. However, the final pages speed things up too much regarding
Read moreWriter Stu Perrins creates a serviceable script. It has the strength of a lot of set-up to establish the world
Read moreA lighting design by designer Coralie Beauchamp is on display in certain pages of this issue. Yet, for some reason
Read moreThis article is somewhat of a sequel to a previous comicon.com article. The title of the previous article is ‘Batman
Read moreWriter Erik Burnham, artist Josh Burcham, and letterer Jake M. Wood create a narrative that ranges in quality. One of
Read moreThis issue has another wraparound cover. However, this cover is not as nice looking as the previous ones in this
Read moreWriter Patrick Kindlon does a mostly great job at moving the narrative forward. Yet, the settings remaining the same for
Read moreThe editing team consists of: Assistant editor Riley Farmer, editor Jazmine Joyner, and supervising editor David Mariotte. While normally they
Read morePenciler/colorist Terry Dodson and inker Rachel Dodson continue to do amazing work on the cover and interiors. The line work
Read moreWriter Patrick Kindlon does a great job at showcasing characters with different social-political views. Though Kindlon mostly does this via
Read moreWriter Erik Burnham does great at making the characterization and dialogue believable. However, Burnham puts in a reference to a character
Read moreThe main story is by writers Joe Clark and Kyle Higgins. While writer Jana Tropper provides the text for the
Read moreArtist Marco Ferrari is very consistent when it comes to the interior art. A particular area of consistency is the
Read moreDesigner Leonardo Olea provides a new design for the creative credits page. Whether a reader will take the time to
Read moreArtist Josh Burcham is responsible for the creation of Cover A, and it features a nice amount of details. However,
Read moreThe main story is by writers Kyle Higgins and Joe Clark. Its first several pages feel like they are a
Read moreDesigner Leonardo Olea’s design for the creative credits page really works with the slight change to the color palette. Speaking
Read moreWriter Patrick Kindlon and penciller/colorist Marco Ferrari do great work on universe building. This occurs primarily to flesh out the
Read moreArtist Winston Chan does great with the visual characterization. While colorist Sidvenblu elevates the visual characterization via hues that spotlight
Read moreWriters Kyle Higgins and Joe Clark continue to create a compelling main story. They also make what could be severely
Read moreArtist Winston Chan is very precise with the line work and choreography in IDW’s Transformers: Beast Wars #7. However, some
Read more(+++ Disclaimer: I have done writing and editing work for Sequart Organization at various times in the past. So writer
Read moreThe regular cover by artist Felipe Watanabe and colorist Frank William dovetails nicely into the main narrative. Though the art
Read moreWriter/artist EPHK creates a fast pace for this original story. However, it is arguably too fast due to how only
Read moreWriter Kyle Higgins provides a strong script for the main story. While writer Jana Quinn provides a strong prose back-up
Read moreWriter Erik Burnham continues to create interesting variations to familiar moments. Burnham also continues to use familiar characterization to hopefully
Read moreThis comic is by writer/artist Yvon Roy. It is an autobiographical tale of Roy raising his son. A son who
Read moreCover A features art by artist Josh Burcham who provides a very iconic, if somewhat common, look. What makes it
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